Strom II - 2025
The starting point for this programme, Strom II, is the piece by Kevin Juillerat that we wrote for our first project, Strom, and which gave us a great deal of inspiration. In this work, our instrumental voices are sampled live and are in turn influenced by the space, among other things. The samples and our amplified instruments are distributed around the room via four loudspeakers. This is a piece with great potential for development, in collaboration with Thierry Simonot, who supports us as sound artist and technician.
We have also commissioned three compositions. The three composers each have their own personal approach to electronic music, which is expressed in their compositions:
Santiago Diez Fischer, currently a doctoral student in Berne, seeks to describe in his composition the imaginary worlds that our memories create from fantasies and recollections. Swiss composer Manuela Villiger is looking at the physiological, emotional and cognitive conditions of bodies, while Finbar Hosie, who lives in France, takes a musical approach to food habits in his latest piece.
In all the compositions, the emphasis is on an organic relationship between electronics and acoustics.
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Artists
Duo Klexs
Léa Legros-Pontal – Viola
Silke Strahl - Saxophone​
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Sound
Thierry Simonot​

​​Programm
Déchiré d’un espace rouge-gorge
Kevin Juillerat - 2022
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Power - premiere
Manuela Villiger
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Mm..food - premiere
Finbar Hosie
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I’ve felt wind in my hair, riding test boats off the black galaxies - premiere
Santiago Díez Fischer​​​
ABSURDITÄT
Automn 2025
An artist is always searching for meaning. His/her art becomes the medium of this search, allowing him/her to engage with the world around him/her. Today's times seem so absurd that this search often seems futile: the future is at least uncertain or unknown.
The situations within the art scene also make us think: the financial situation of many artists, the large gap between the freelance scene and the large institutions, the situation and difficulties of freelance (single) mothers, or the fact that the scenes that are actually close in their sound or art aesthetics and thus appeal to a similar audience (e.g. freely improvised music, contemporary music, performance art, contemporary jazz) are still organized strictly separately, and much more.
The word “absurdity” seems to us to be a very appropriate word in connection with these topics. Although, or perhaps precisely because of this, we have titled our latest project this way. Although we do not address (world) political topics on stage, these are precisely the topics that inspired us to create this project.
A project about absurdity, an attempt to put oneself in the shoes of our ultra-capitalist society, which mostly looks away. But absurdity is also one of the weapons of humor. A remedy for not sinking into melancholy when dealing with dark topics.
In our program we bring pieces with absurd elements, i.e. sounds or performative elements, to the stage, which at first seem bizarre, unusual or even nonsensical.
Artists
Duo Klexs
Léa Legros-Pontal
Silke Strahl
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​​Programme
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Witten Vakuum
Retrouvailles
Premiere
Felix Nussbaumer
Premiere
HRR GLL SRR
Hommage à Prokofiev
Charlotte Torres, arr. Silke Strahl
Miniatures Absurd (Premiere)
Duo Klexs
Absurdity: (from Latin absurditas in the same meaning, including ‘tastelessness’, ‘silliness’ or ‘inconsistency’, ....) refers to something absurd or nonsensical. This can be an unusual, abstruse, logical or strange occurrence or phenomenon to which the mind of the individual, contrary to its habit, may not give any sense or meaning. (Wikipedia)
Lemnaminor ?! - Beginning 2023
Klexs for kids
Two friends meet again after a long time. An old argument flares up again and they try to settle it with their own language, in their own way. LEMNAMINOR?! - a play about friendship and communication.
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With
Léa Legros-Pontal - viola, voice, performance
Silke Strahl - saxophone, voice, performance
Christine Cyris – staging